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Brand guidelines

Data

Numbers are where the firm proves its work, so every chart answers one question at a glance: a headline that states the answer, labeled axes, direct labels and a table behind it. The colors are the inks of a printed survey map, the forms are the firm's own, and underneath them sit the rules every good chart keeps. The charts on this page use example data.

01 · Color

Quiet color, used for emphasis.

A tonal family in the firm's own blues: Harbor leads, Tide supports it, Brass is the single accent, with Lagoon and Iris for a fourth and fifth voice, and Slate to carry everything that is not the story. Most exhibits use one ink, grey for the rest and the accent once. The order was searched and checked with the palette validator: every neighboring pair stays apart for color-blind readers (worst ΔE 13.1 light, 14.8 dark; target 8) and for normal vision (18.0, 18.1; floor 15), and every ink clears 3:1 on its card. The family is deliberately restrained, below the validator's saturation floor, as Primer's palette is. Never cycle the inks; a sixth series folds into Slate.

Light mode

  • 1 · Harbor

    #203761

    The firm’s deep blue. Leads, and carries the story.

  • 2 · Tide

    #3977A8

    Steel blue. The supporting series.

  • 3 · Brass

    #A38951

    The accent. One thing per exhibit.

  • 4 · Lagoon

    #147175

    Deep teal, for a fourth voice.

  • 5 · Iris

    #857FC3

    The brand’s second voice.

  • Slate

    #868DA6

    Context. Everything not in focus.

Dark mode

  • 1 · Harbor

    #ACC5F2

    The firm’s deep blue. Leads, and carries the story.

  • 2 · Tide

    #5685AD

    Steel blue. The supporting series.

  • 3 · Brass

    #D5BA82

    The accent. One thing per exhibit.

  • 4 · Lagoon

    #528B8E

    Deep teal, for a fourth voice.

  • 5 · Iris

    #A6A1E7

    The brand’s second voice.

  • Slate

    #7F87A8

    Context. Everything not in focus.

Elevation · one hue

Low ground to high, for amounts: Sky 400 to 900, so the lowest step still shows on white. Behind marks, the paler tints (Sky 50 to 300) shade ground, as hypsometric tints do on a map.

Datum · above and below

Change against a baseline, as maps show height and depth: Brass on one side, Tide blue on the other, grey at the datum. Equal steps each way.

Status · reserved

  • On track
  • Needs attention
  • Blocked

Never a series color, never alone: always an icon and a word.

Color is for emphasis

  • Slate carries the context: every series that is not the story.
  • One ink (usually Harbor) carries the story.
  • Brass marks the one exception, and the firm's callout points at the one thing to read: a thin ring on the datum and a hairline leader at the tilt of the mark's own ring.
  • Two or more series that must be told apart use the inks in order, with a legend and direct labels.
The one to read

02 · Forms

One question, one form.

Every chart here is built to answer a single question in a glance: a headline that states the answer, axes with units, labels on the marks that matter, the inks in their fixed order, a value on hover and the numbers behind it. Press Replay to watch one draw.

Change over time

Change over timeIntertwine Associates

Cases closed per month rose from 18 to 61

Cases closed per month against a target of 50

Cases closedTarget
Cases closed0204060Target 50OctDecFebAprJunAugTeam embeddedRedesign live61Passes the target

Source: example data

Change over timeIntertwine Associates

A third of logged hours were waste: 340 of 1,000

Hours per month, from logged to mission work

TotalHours lost
Hours per month02505007501,0001,000−140−110−90660Largest lossHoursloggedReworkWaitingDuplicatestepsOn missionwork

Source: example data

Change over timeIntertwine Associates

Review time fell furthest: 22 hours to 12

Hours per task, before and after the redesign

Review: down 10 hours, the largest dropOther stages
BeforeAfterHours per taskIntake 149 IntakeReview 2212 ReviewDelivery 1815 DeliveryReporting 115 Reporting

Source: example data

Against a plan or a target

Against a plan or targetIntertwine Associates

Handover landed on plan, with two milestones late

Planned against delivered week, by milestone

Planned weekDelivered weekLateEarly
024681012141618Project weekDiscoveryOn planBlueprint1 week latePilot0.5 weeks earlyRollout1.5 weeks lateHandoverOn planLargest slip

Source: example data

Against a plan or targetIntertwine Associates

Only fixed scope work misses the 14 day target

Working days to first deliverable, by engagement type

Within targetOver targetTarget
06121824Working daysAdvisory6Embedded team9Outcome-based14Fixed scope21Target 147 days over target

Source: example data

Against a plan or targetIntertwine Associates

On-time delivery is closest to target, at 88%

Progress toward each goal, as a share of target

ProgressTarget
0%25%50%75%100%On-time delivery88%Waste removed72%Hours returned54%Target

Source: example data

Parts of a whole, and where things go

Parts of a wholeIntertwine Associates

Two thirds of intake hours reach delivery

Where 100 hours of intake end up

DeliveredReworkWaiting
100hours in66Delivered18Rework16Waiting

Source: example data

Parts of a wholeIntertwine Associates

Larger programs spend more of their hours on delivery

Share of hours by phase; column width is program size

Make it happenBuild the blueprintListen first
Share of hours0%25%50%75%100%63%25%12%Program one1,020 hours55%30%15%Program two760 hours48%32%20%Program three540 hours

Source: example data

Parts of a wholeIntertwine Associates

Advisory is the largest share of hours, at 42%

Share of hours by service

Share of hours, 100%Advisory42%Embedded teams28%Training18%Assessments12%

Source: example data

Parts of a wholeIntertwine Associates

Thursday requests peak at 3 pm, nearly double the usual

Requests received per hour, Thursday against the average of other days

ThursdayAverage of other days
Requests per hour020406089101112123456Hour of day (am until 12, then pm)52 at 3 pm

Source: example data

Choosing what to do, and when

Choosing what to doIntertwine Associates

Start with the review checklist: high impact for low effort

Seven improvements by effort and impact; bubble size is hours returned per month

Start hereOther improvements
Do nowPlanFill inReconsiderEffort: lower to higherImpact: lower to higherReview checklistIntake formStatus meeting cutReporting automationTraining programSystem migrationVendor consolidationStart here

Source: example data

Choosing what to doIntertwine Associates

Train cannot start until Build is half done

Workstreams by month, with progress to today

DoneRemainingFinished
OctNovDecJanFebMarAprMayJunJulAugSepAssessDesignBuildTrainLaunchTodayTrain starts here

Source: example data

Which form

  • How a number moved: the trend, with the target and the moments that explain it.
  • Before and after: the slope. What was taken out of a total: the waterfall.
  • Plan against delivery: the dumbbell. One value against one target: the target bars. Progress to a goal: the thin progress bars.
  • Where a whole went: the flow, the Marimekko or the single stacked bar. When something happens: the hourly profile.
  • What to do first: the priority matrix. When it happens and where it stands: the roadmap.

Always on a chart

  • A headline that says what the data shows, not what the chart is.
  • Labeled axes with units, and a note saying what is measured.
  • A legend for two or more series, plus direct labels where they fit.
  • Hover for exact values, and the numbers behind it.

Ours alone

  • These colors and forms belong to Intertwine Associates. The other Intertwine companies have their own; never borrow theirs or lend these.
  • On the public site, a graphic shows structure and process, never figures the page does not state.

03 · Anatomy

Thin marks, quiet axes, labels where they help.

Hover a chart for exact values, or switch it to a table. Example data.

The basicsIntertwine Associates

Hours returned to mission work

Per month, three example engagements

Agency AInstitute BLab C
Hours returned to mission work. Agency A ends at 74 h; Institute B ends at 55 h; Lab C ends at 38 h.04080JanMarMayJulSepNovDecAgency AInstitute BLab C

Source: example data

The basicsIntertwine Associates

Time to first deliverable

Working days, by engagement type

  • Embedded team9 d
  • Outcome-based14 d
  • Fixed scope21 d
  • Advisory6 d

Source: example data

The basicsIntertwine Associates

Where the hours went

Share of hours by phase, two example programs

Listen firstBuild the blueprintMake it happen
  • Program one1,020

  • Program two920

Source: example data

Efficiency target

40%

Example: per engagement

Hours returned

1,284

Example: this quarter

Open actions

12

Example: across programs

Programs

3 to 12 mo.

Example: typical length

04 · Figures

Every figure is signed.

Each figure sits in one frame: a label above (the kind of question it answers, with the mark and the firm's name at its right), and a very thin box around the title, legend, chart and source. The text inside is set in IBM Plex Sans Condensed, a narrow, plain face with tabular numerals, so figures read as figures and look different from the Satoshi text around them. Axis labels, legends, notes and values are print: full black in light, full white in dark.

The label

Small capitals above the box: the group, such as HOW WE DELIVER, and the mark at the right, every time. Figures are named by their group, not numbered.

The frame

A single 1px rule in the figure rule color with square corners. The source sits at its foot in small print, with no rule above it, on every figure, in every size.

The print

One text color for everything that is read: titles, axis labels, legends, notes, values. Marks carry the color; the words never do. Context grey is for marks only.

05 · Rules

What every chart does.

Always

  • Pick the form for the job: a number gets a stat tile, change over time a line, comparison a bar.
  • Every figure is numbered, labeled above, and boxed in the hairline frame with the mark and the firm's name. The graphics on the site's own pages use the same frame.
  • Bars start at zero, square-ended and slim; touching marks keep a 2px gap.
  • Lines under 2px; end markers small and flat, no ring.
  • Axis labels, legends, notes and values in full black on light and full white on dark; gridlines are hairlines, solid, and few.
  • A legend for two or more series, plus a direct label at the end of each line.
  • Values in print, never in the series color; every figure word and number set in the data face, tabular.
  • A hover tooltip and a table view behind every chart.

Never

  • Two y-axes on one chart. Use two charts, or index both to a common start.
  • Red and green for bad and good, or amber for anything but a warning.
  • Pies, donuts, 3D, gradients or shadows on marks.
  • A number on every point, or a label clipped by its own bar.
  • Colors that change when a filter changes; a series keeps its color.
  • A chart where a sentence would do.

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